Tuesday, September 28, 2010

bone blog coney island #2









bone blog coney island





dear boners

Jet lagged, parched and on public transportation. I take the shuttle bus to bedford and nostrand, the g's not working and waiting at Smith and 9th st. for over a half an hour, the F barely is. It's a gorgeous day as I walk down surf ave, 2 and half hours later. I go to the headquarters, next to the freak bar, get my credentials. The place is packed, Rob the festival director has a ton of enthusiastic supporters. I make a pit stop at nathan's, two chili dogs and a pepsi and then I'm in the black watching "Satan Hates You." A camp horror film about a serial killer and a slut, searching for redemption, they finally find it when the serial killer runs over the slut and the car crashes into a tree killing both instantly. The crowd claps, it's a good crowd. The festival director had sent me a nasty e mail while I was in lisbon, no one has bought a ticket for "Cellar", and in the morning I had received several phone calls about one's ability not to make it to coney island. This is going to be a tough one.

I sit on the boardwalk drinking another pepsi in an ice filled cup. I watch the crowd, the myth that the black family is falling apart is just not true, I see a ton of brothers out here pushing strollers, they may not look happy but they're pushing them. I do a program of shorts, they're all good, competent, well crafted and made with real heart. Half the audience had worked on the films so the room has a nice energy.There's a break and it's seven thirty on surf ave, sun just going down, and the beauty becomes more apparent as I spark a spliff and stroll to the board walk. I make a decision no beer til after nine. I watch a program of horror shorts, one has Adrienne Barbeau in it as a zombie, a great shot of her walking down a suburban street, covered in blood as she has just eaten her husband. I get a beer at the freak bar. I've got several posters with me and with pencil I sign them and draw 10th coney island film festival on them. This draws an audience, most likely the largest I will have tonight.

At ten twenty I go to the upstairs cinema to check the projection, the program is running late, outside for a herbal remedy and buck [Steve Buckley AKA Layton/Clayton from Celluloid#1] walks up, "What are you doing here?" "I'm here supporting the film." I'm shocked, "You're the only one." I have an anamorphic dv cam copy of the film, so I have to check that the projector will do 16 x 9, it's 10:45 and the program has ended. Four cute gals go up the stairs before us, they talk to the projectionist, it seems like they missed the film they had worked on, they beg the projectionist to show it to them. We sit down to watch it, it's short and pretty good. Ten minutes later, I check and ok the projection,then they open the house. Six people come in, so with me buck and the projectionist, we have nine. The film plays, I've seen a lot of film in the past week and I compare Cellar to all those films, I mean there are flaws in my film, but man, it's a real fucking stew, there's meat, celery, garlic and peppers, and though there's only nine of us, the film plays like a well crafted urban symphony, it's an art film, it's a narrative and it really doesn't give a fuck.I am proud of this film. I slide out get buck and I a beer, have a smoke and we're in the party scene at the end. Everyone is still in their seats as the Q n A begins and they are extremely enthusiastic about the film. "I have brought some gifts and I want to ask you some questions. What was the drunk mexican guys name who was always in the deli?" "Pueblo" I hand a poster out. "What country was Luz from?" "Colombia" I handed out all the posters and everyone got a dvd copy of the film. Jenny Kim arrives to support the filmmaker. There are four really cute guys, in spanish I ask them if they are Colombians, no ruski. we are Daisy's friends,. Daisy is spiritually in the house. All of us are on surf ave and everyone heads towards the trains, it's been a long week. My nerves are frayed.

kisses
the boned

Saturday, September 25, 2010

bone blog #8 Queer Lisboa 14










bone blog #7 Queer Lisboa 14











bone blog #6 Queer Lisboa 14





bonese,

returned from lisbon last night, tired and weary with bones that are no longer elastic. There's always drama at these festivals and this was no different. Queer Lisboa 14 was pleasure mixed w/ punishment, just the way I like it. It did produce some language.

excerpt J.F.

in the hd era staso's feature smells of cinema. A raw cinema, without effects, made of the colors, textures and smells of the city and its inhabitants.

Through a subversive look from the margins of society, Staso gives the city back to those who deserve it, while at the same time paving the way for a new language that may put the city back on the frontline of a renewed avante guarde.


great language, one could even say worth the trip. so tonight, it's back on the road to coney island, where this blog will end around midnight on a moonlit stretch of beach. Smoking a spliff with a cold beer in ones hand.

ciao belli

Wednesday, September 22, 2010

bone blog #5 Queer Lisboa 14




More trouble, Massimo and Fabio, arrived from rome on tuesday, just in time for the screening. I am scared shitless to screen in that 800 seat room, I fear only 50 peopLe. We walk the city having a great lunch in the old quarter alfama. Massimo and I sit in the cinema and are approached by ricke. They´re speaking Italian, and I know something is up. The film before us is pulling out due to the academic boycot of Israel, seems like the government has paid the ticket for the Israeli filmmaker, and that is tantamount to the festival accepting Israeli funds. Of course my film starts in an hour, there´s always something, but this is the strangest.

On stage they give a long speech about the filmmakers reason for not showing his film, I´m there, with four other people, we will show the film, and the film speaks for itself politically, and I say that on stage in front of three hundred people, (not fifty) I also add, "Viva Palestina Livre".

The film shows, I was wondering about the fact there was no translation. No, Steve everybody speaks english, and yes a lot do, but they don`t speak New York english. Oh well, the q n a was like pulling hens teeth, the portugese are a little shy, we finally got a question, why was your film included in a queer festival, it´s not a queer film. The programmer got upset, this film was selected by a committee, and besides, (I like this) the film is queer in it´s heart. Bravo.

The party was at a night club that has been shuttered since 1975, they didn´t change anything. It´s fantastic.

The bloger is running on empty.

love and kisses.